吉川雏乃

影片讲述了心理学硕士毕业归国的吉米，因为长久以来与母亲的不和放弃公司事务跑去江门散心，在江门偶遇了一对困境中的卖唱父女—月亮与她患有精神疾病的父亲。月亮已经到了上学的年纪，然而她为了照顾父亲不想去福利院，吉米看到后主动承担起照顾月亮爸爸的重任，月亮才开心的去往福利院，在照顾月亮父亲的过程中，吉米也渐渐感受了母亲对自己的爱，在吉米的照顾下，月亮父亲的病也渐渐好转起来。而后又带出了一串动人心弦的故事。该片从“困境儿童”的背景出发，以一后女心理学硕士的视角，在欢笑与泪水中呼唤人性的良知。。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。