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莱娜在父亲的阴影下每天过著地狱般的生活，她唯一来往的对象是旅馆同事穆法塔斯，莱娜从未答应但也没拒绝他的追求，痛苦的莱娜只想挣脱生活中的恶性循环；在城市的另一端，有位技师正为他刚过世的妻子哀伤，一只装有他妻子衣物的行李箱，竟出其不意地改变莱娜的命运… Because of her father's inappropriate behavior, Zeynep, a hotel housekeeper, spends hellish nights. The only person with whom she has a relationship is Mustafa, a young man who works in the same hotel and who is interested in Zeynep. Zeynep is trying to escape from the vicious circle in which she finds herself. In another part of the city, Selcuk, a sound technician, is struggling with the guilt he feels over the recent death of his wife. The suitcase that contains Selcuk's wife's clothes will change Zeynep's fate in a most unexpected manner.。我们自古就对木材有着深刻的认识，其中“木材美”的观点是在千百年的取材中形成的，是在中国文化的左右下形成的，也是经过千百年历史积淀而形成的。木材由树而来，与钻石换金的形成不一样，由阳光雨露滋润成长。由于数量多少、生成时间长短等因素，在我们的社会中“木”就有了价值区分，有的木材价值堪比黄金。 不论是建筑房屋、家具、摆设、玩意儿、精良“木作”似乎是贵族商贾、文人雅士的不二选择，更是塑造中国人灵魂和思维方式的物质基础。如果说西方是石头垒起来的王国，中国就是木头搭起来的文明。。