顾先生

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。黑暗皇帝為了達成統治地球的目的，命令恐怖的蝙蝠怪人率領一眾怪獸出擊，在東京實行兇殘的“卡拉卡拉作戰”，要把全日本人的血和水吸乾…… 少年隊成員姊弟受到可怕襲擊，假面騎士Ｘ深入基地拯救無辜市民，與眾怪人展開連場激戰。最後，五位假面騎士：一號、二號、Ｖ３、騎士人與Ｘ共同聯手，誓要粉碎黑暗皇帝的血腥陰謀。。泰国百年凶宅班蓬鬼屋，首度搬上大银幕！暴雨噬魂，山庄堕入异度阴间！东南亚，环宇公司总裁高强携妻儿员工入住泰国百年山庄——此地正是1983年震惊泰国的灭门悬案现场，怨气浓烈！怪雨夜，鬼门大开，古钟倒转、符咒自焚，山庄堕入阴阳交界！老板高强欢宴后暴毙，次日离奇尸变失踪，监控拍下白影游荡，员工接连“鬼上身”：司机自掐喉咙而亡；高云江夜夜被亡父高强鬼影缠身。保安林楠女友肖扬也中邪发疯，林楠为破解这无形的力量，发现山庄受到怨灵诅咒，成为“阴阳牢笼”！如今暴雨重启邪阵，山庄沦为亡灵猎场，还魂祭坛：针灸盒渗腐血、浴镜映鬼影、走廊尽头无头冤魂索命，幸存者被迫直面阴间法则，他们如何才能撕开裂缝还阳……。