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瓦尔特·梅尔卡多是一位雌雄莫辨的著名占星家。几十年来，他的奢侈作风和积极的态度使1.2亿拉美裔观众为之着迷。后来，他从大众的视线之中消失了。《Mucho Mucho Amor》由获奖的纪录片导演克里斯蒂娜·科斯坦蒂尼（《科学展览会》）和卡里姆·塔布舍（《最后的圣地》）共同执导，并由亚历克斯·富梅罗（《蒂姆·罗宾逊短剧：还不快走》）担任制片人。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。